The Lone Rangers: a Sissy and the Blisters stand off
'I don't want everyone to like us, I want everyone to see us'

Daniel Fahey - 13 December 2011
Pfssst. Smoke chokes the platform.
The doors noisily unbolt and open.
Welcome to the End Of The
Line… ain’t many folk gettin’ off here.
You see, just ain’t many bands left round these
parts. Guildford is a one-horse town. Last sheriffs round ‘ere were The Stranglers and they got spat out long ago. Their
tobacco-chewed myth weakens each generation [hocks up phlegm, spits it out].
That is until Sissy and the
Blisters rode across the horizon. They just roped up their horses and swung open the batwing doors to the local saloon.
There they stood, Jack James and his fellow musical gunslingers - James Geard, Nick
Benton and Ed Kirwan. These boys are gonna pin these plains back on the map.
“People
tend to come through here, as opposed to staying here permanently,” drawls their organist and guitarist Jack James.
He’s talking about the Guildford music scene – or lack of it.
“Not enough people are drawn
here like they are to various areas of London… There’ll be another band like us here for a bit, but they’ll
end up leaving or just disband.”
Thing is, there can’t be that many bands like them around: thumping
garage rock, sub-three minute whirlwinds with a trio of organ players and no bassist. It’s delicious retro rock, a sound
schism that gallops live.
If Jack keeps his spurs stuck in, Sissy And The Blisters won’t end up sounding like any
current bands either. “There isn’t anything that excites me personally guitar-wise,” he says.
“[People] think guitar music‘s dead for some weird reason…but there isn’t anything different enough
to change everyone’s mind.”
‘Let Her Go’, a gruff-guitar bruising take on Phil Spector pop, leads their latest EP of the same name.
Liverpool or Manchester would’ve clung and run with a sound like this, but here it seems Jack and Co. are destined to
be the Lone Rangers.
“I’d like there to be more bands,” he says optimistically, before
revolving those thoughts around his barrel. “There’s actually quite a few, but it’s not the music that
everyone wants. The fact that everyone’s saying there are no guitar bands around shows that there isn’t one that
people want around…so we’re playing music to fill in the gap for ourselves. That’s why we originally started
doing it.”
A love of garage rock helped to solidify their bond. “Even though it shifts around
genres, old garage is on all our playlists,” explains Jack, “we all like different stuff but that’s
one thing that brings us all together.”
The 50s and 60s touchstones are hidden in the layers of guitars
but it’s an updated, raucous racket with distorted vocals and plenty of rousing backing vocals.
The debut is in the pipeline, but it’s not going to come out until it’s fully saddled up. “Unless
everyone’s 100 percent into it halfway through a song, we’ll throw it away,” he measures. “If
one person sighs we’ll scrap it and start again. We’ll effectively write ten songs before we come up with one
we like.”
Clearly they crack the whip hard.
“We want to give the album a feel,
it’s not only the best songs, it’s the ones that are going to make sense within the album.”
What themes are you looking to cover with the LP? “James tends to have running themes on what he writes about.
He gets excited about certain things, he’ll get excited about a certain saying and he’ll say it over and over
for weeks, then get bored and move along - he’s like that with his lyric writing.
“He’ll
get something in his head, like girls. At the time we wrote the EP, everyone was talking about them all the time so that’s
what we wrote about. We haven’t got a vibe yet, ‘cus we haven’t written all of the songs, but there will
be.”
Capturing a sound on wax is one thing, but Sissy
And The Blisters are building a notorious reputation for the live shows too. Even outta town cowboys and gals
will huddle in darkened spit n sawdust venues, whiskey in paw, to watch the four-piece in action.
“I’d
say live is one of our strongest things, there’s definitely a reason to come and see us,” rasps Jack. “It
seems to make a lot more sense for people when they see us live…for a band to have a exciting live show is really important,
especially as it’s such a big deal for people at the moment.
“We’re really obsessed
with pulling that off, and helping people enjoy themselves,” he adds.
Notoriety isn’t essential
for Sissy
And The Blisters but perhaps the myth is. “I don’t want to say I want everyone to like us,”
Jacks finishes, “I want everyone to see us.”
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