
With her bright pink stage decking, little tartan skirt and synchronised dancers, Avril Lavigne is about as punk rock as cricket these days, but the devil horns go up regardless as she takes prepares the stage for another day of diverse talent. Just like her albums, the sublime, mature and almost moving numbers are punctuated with the ridiculously cheesy pop tunes which rocketed the pint-sized Canadian to stardom. Soul searching slow burner 'I'm With You' is sandwiched by 'Sk8ter Boi' and 'Girlfriend' before the contemplative 'My Happy Ending' gives way to 'Complicated'. But it's Blink 182's fantastically stupid hit 'All The Small Things' that really gets the crowd going with Avril handling the vocals perfect: "Works sucks, I know." Thousands of fans agree.
There must be a factory somewhere in middle America which builds bands
like the Goo Goo Dolls.
Only a couple of weeks
previous, Download Festival was infected by the middle-of-the-road, stars and stripes radio rock when Hinder and Buck Cherry
hung around the Main Stage like unwanted guests. Today we have these boys, who could as well be Staind, Nickleback or Creed
for all anyone would notice. To be fair to them, everyone does want to hear 'Iris' and of course we do, which is a
light relief from the tedium of mainstream America.
If you're going to play light, tap your foot along indie/rock tunes, you have to do it with a touch of class, almost indifferent arrogance and Paolo Nutini has it in spades. More popular in Scotland than baggage-handler come anti terrorism Kingpin John Smeaton, they say the Paisley boy can ask for a Big Mac in Woolworths - and get it! Today he seems less pissed on stage than usual, which is disappointing, but the young crooner is still on top form with 'Jenny Don't Be Hasty', 'These Streets' and Moby cover 'Natural Blues' all resounding across Balado's airfield. A year after The Sun newspaper dubbed the young Buddie "Wasted Talent" after he admitted he liked to smoke dope, he dedicated a new track to the hacks at the paper: "The Sun Can Kiss My Ass". One each, round three.
In keeping with all things Scottish, everyone's favourite party band, The Fratellis pick up the Tennents and the tempo with an unashamedly carefree, balls to the wall explosion of infectious songs. From last year's T Break stage to the Main Stage is quite a jump, but with diamonds like 'Chelsea Dagger' and 'Henrietta' up their sleeves the trio could have played anywhere and pulled it off. "It's a pleasure to be here today," proclaims Jon. The pleasure is all ours sir, now get back to the singing!
Kings Of Leon and their southern soaked American accents are like a funeral procession in comparison to their Scottish counterparts' joyous spirit, but they have the swagger and material to pull off the show without killing the party. With a gritty mix of garage rock, bourbon drenched melodies and Caleb Followill's unique vocals the strum out their finest hits including 'The Bucket', 'Four Kicks' and 'Molly's Chamber'.
Why are Scissor Sisters still here? Why won't they just go away the
same way The Darkness did when the novelty value wore off? Obviously they wear tartan, predictably Jake Shears strips during
'Filthy' and tells us "you are a dream come true". 'I Don't Feel Like Dancing' is followed
by 'Laura', which is followed by another generic party pop tune and they flirt a lot with any camera, or cameraman
who is passing. There's no doubt there is fun to be had but it's hard to accept that the second top slot on the final
day of the UK's best major festival is filled by an act full of style and severely lacking substance.
"This
is the best festival line-up I have ever seen in my life," Jake tells us, obviously lying. It would be a whole
lot better if Radiohead replaced you mate.
And with a casual saunter on to the stage and a wee wave, we have our headliners
ladies and gentlemen; Snow Patrol. Understated does not
do these power ballad masters justice, they appear for the biggest show of their lives as if it's band practice of a wet
Wednesday night; no fancy suits or costumes, a minimalist backdrop of screens and the posture of a bunch of cheeky roadies
who've blagged it onto stage. Fortunately Snow Patrol do have bags
of substance, and penning a few life-changing songs which everyone from Kevin Costner to Spiderman seems to endorse always
helps.
When the Glasgow-based boys orchestrate a field of 60,000 fans singing in unison, it's enough to give you
erect nipples. T In The Park anthems 'Run', 'Chasing Cars' and 'Signal Fire' unite a chunk of Scotland
for a spectacular finale and just for a second or two, the thought of some nut ramming a packed jeep into an airport is almost
like another country's problem.
dave318
wrote on
Sunday 15 July :
Just a couple of comments regarding yours. Got to agree about Avril. (Saw T shirt saying "Avril IS heavy metal". QOTSA must
have been pissing themselves) Just didn't seem to belong , especially when crowd sing "Hey Mickey" to all your songs.
As for the Goo Goo Dolls, I assume you are not knowledgeable about them. Unlike Stained, Creed, et al, this band have been
going for years and I thought really engaged the audience more than the next three acts.
Paulo was the same as the Fratellis drummers name. Mince. Admittedly the sound was terrible, but everyone around us just talked
through him. "Hold on theres a sing along line coming up". Maybe he's better pissed.
The Fratellis have got the songs just lacking a little bit of audiece interaction. Perhaps they were just overawed. (Look
at the difference a year made to The Kooks) Again sound wasn't great but the played well.
Sorry, but again KOL didn't really do it for me. Dour, good Scottish word that says it all.
Can't believe your comments about the Scissor sisters. They had most of the audience eating out of their hand. Entertaining,
effervescent, maybe Annie spoke too much and didn't play enough. Perhaps your one of those reviewers that think pop has no
place at festivals. (Maybe they should just play the Radio 1 roadshow, (showing my age now they're going abroad))
Snow Patrol, Spot on. Got great songs, more up tempo than I thought they would be and held the audience with irreverent, inane
chat between songs. Although I think Gary was just trying to stop people throwing things at him, in a backhanded sort of way.