Is Glastonbury Hiding a Dark Extra-Terrestrial Secret?

Does the festival hide a sinister alien agenda?

United Kingdom | 30 April 2007

If you still think reality is what you were taught at school, you need to wise up and get with the times, mate. If, however, you're a little more enlightened, you'll know that, HD TV aside, materialism is so last Millennium. The paranormal is no longer the domain of X-Files geeks; it's very fashionable. After all, Girls Aloud glammed up to appear on 'Most Haunted' and you've certainly been known to enjoy an episode of 'Crossing Over with John Edward'...

You've read (or watched) The Da Vinci Code and found the notion of a sinister hidden group controlling real world events for centuries plausible, if not strangely exciting...

And, like most hip, young, intelligent festival-goers of the day who consider themselves elevated above the veil of mass media hypnosis, you don't really think Princess Di died in a freak accident, nor do you buy the official stories behind 9/11, 7/7 or why we invaded Iraq, right?

In that case, you're pretty open-minded... but are you ready for this? Matthew Delooze is a celebrated author on matters of cosmic conspiracy and his many years of research have uncovered a revelation that will shock you to the core. Matthew is so concerned about what he has discovered that he has written the following article especially for Virtual Festivals readers, for no fee. Take a deep breath and make of this what you will.

‘The Answer, My Friend, Is Blowing The Wind’
By Matthew Delooze, for the readers of Virtual Festivals 

‘You look like you are gone with the wind,
running naked through the streets.
Wired out, tired out, trancendental mental,
only laughing in your sleep.
Nostalgia is starting to focus to late,
imagination is starting to itch.
Oh there ain't no rock and roll no more just the music of the rich……
It’s apathy for the devil and apathy for the sun’.
(From the song Apathy 83  by Ian Hunter)

The festival season is once again upon us and its not easy to get straight to the point of the information that I want to relay to you in this article, from cold so to speak, but I will try my best. I need you to open your minds, if only for a short time, and think for yourself. OK? So let us begin.

Why do you go to festivals? What is the attraction? What magnetic force is in operation that reels you in like an easy victim of an expert fisherman? Is it just the beautiful music that you yearn to hear? Are you enchanted by the lyrics of a clever song writer? Do you go to festivals just to see one or more of your idols in the flesh? Do you go to festivals for spiritual reasons - are your spirits raised so much by the  festival atmosphere that you are almost in a constant state of bliss when you are there? Do you go to festivals just to ‘show your face’, chill out , take drugs, get laid or just to make money selling pies and hotdogs?

Maybe you just feel the emotion of ‘happiness’ whilst at the festivals and they have become a welcomed escape from the shitty world you usually live in? Maybe you just ‘respect’ the  festival scene in general and the people who attend them and of course there is nothing wrong with that at all.

The main question I ask you, on a five sense level, is why do you think an establishment, that usually oppresses the masses, allows festivals to go ahead in the first place? Is it because they put your ‘leisure activities’ at the top of their priority list? I don’t think so for one minute. Do You? 

Could the existence of festivals have more to do with ‘spiritual’ energies than physical ones? I certainly think so. I ask you to consider for a moment that, on a spiritual level, the crowd maybe being attracted to the festival to be spiritually ‘exploited’ in the guise of receiving physical and spiritual pleasure. If this is true then sadly the crowd are also ‘paying’ to be exploited, not only that but as far as the more popular festivals are concerned the people actually fight, beg or steal to get tickets to attend them.  

Anyway, lets get to the point

I’d like to concentrate on the Glastonbury festival at ‘Pilton’ UK, but let me also point out that the same scenario applies to a lot of other places around the world.

I believe that ‘some’ music festivals, especially Glastonbury have been created and ‘used’ by malevolent entities, that are alien to our five sense world, to carry out symbolic ritual and to extract  ‘collective spiritual energy’ from the people who attend them. These malevolent entities will get people to create energy, through entertaining them, and then they somehow collect and harness the energy. I will refer to these malevolent entities in this article as ‘Dark Forces’. Malevolent simply means; ‘having or exhibiting ill will; wishing harm to others; malicious.’

Obviously the malevolent entities I mention could not succeed in their agenda to extract spiritual energy from the masses at music festivals without the help of certain high ranking figures in this world. I will call these figures ‘Agents of Darkness’ in this article.

I also believe that major festivals, such as Glastonbury and others in symbolic locations around the world, have purposely been covertly groomed over the last 20 to 40 years and they have now literally become ‘energy farms’ and their innocent visitors willingly, but unknowingly, surrender their spiritual energy to Dark Forces at places like Glastonbury.

I have written various articles about ‘festivals’ and also about the music industry in general. Is it possible that some of our most talented singers and bands are really ‘recruited’ and then programmed to serve another purpose whilst they entertain the masses through their attractive popularity?

What better way is there to get subliminal messages into people subconscious than by getting them to willingly sing along with their favourite songs, sung by their idols? 

I wrote about this in an article, called ‘Beside the Seaside’ in ‘2004’ which may serve as a simple form of introduction to what I am trying to say in this article. You can read it here: http://experiencers.net/Newsletter/Jan05/seaside.htm

Anyway before I mention Glastonbury I suppose I should point out the fact that you and I get bombarded with subliminal messages every day, so much in fact that some subliminal messages are very catchy and stick in your mind. For instance do you not notice that you have spells of hearing a certain song or a TV jingle over and over in your head?

Whatever tunes you get attracted to somehow stick in your head and they bloody well stay there. You repeat them over and over again and literally hypnotise yourself. You can carry on with your daily life but they are still there niggling away in your mind, albeit on most occasions niggling away in a happy way. You hear them everywhere you go, radio, TV, and of course down the pub on the jukebox. Even your friends or workmates whistle or sing them.

Please consider that it is no coincidence that the majority of the world, millions of people, will have the same song or TV ad on their minds at the same time. The ‘agents’ for dark forces will mix music with politics because they control both of them but the masses will not even see the connection on a five sense level.  

Obviously time goes on and you suddenly lose interest in the song or ditty that had taken over your mind or another hypnotic tune comes along to take its place. The tune, ditty or song is initially interesting but as time goes on you become bored with it, it disappears from the media and no longer has a hypnotic effect over you. By this time it has buried itself into your subconscious and you think nothing more about it on a five sense level.

The point I am trying to make is that human beings are led by ‘attraction’ and multi-dimensional dark forces love to play the role of pied piper. They can affect the minds of the human race en-masse. The workings of subliminal messages and the attraction of celebrity idols can always attract many people to many locations.  
 
Thirty or forty years ago the said agents started to create the foundations for the modern day festivals you see in abundance today. Please try to grasp that ‘Dark Forces’ have been covertly ruling over us for thousands of years. They knew long ago that they would require the use of massive amounts of spiritual energies at certain times and in certain locations around the world in the future. I now know that multi- dimensional powers require the masses to give them their ‘spiritual permission’ they need to control both the spiritual and the physical future of the human race. They do not need our five sense permission to rule over us but they go to great lengths to receive ‘spiritual’ permission from us. They know that we would not ‘willingly’ give our permission to them to spiritually rule over us.

They have to deceive us in to giving it, and they do just that, through deceiving us into feeling ‘positive emotions’ for their ‘agents’, or in the case of music festivals  the crowd is deceived into giving away spiritual energy simply by giving emotional respect to the ‘celebrity bands’ or ‘singers’, their heroes if you like, performing at the festivals.

The bands unknowingly act as a medium so we give respect through proxy, if you like. Obviously this subject goes very deep and it is not easy to explain it all in one article. That said; let us start with the formation of the festivals.

It is a myth, in my opinion, that the early festivals were ‘anti establishment’ or the establishment objected to them coming into existence. I realise in saying that, some of the older festival attendees will disagree with me but I assure you if the malevolent forces did not want ‘festivals’ to happen or if the festivals actually affected their agenda then there definitely wouldn’t be any festivals taking place at all. None at all, ever! Oh yes I will agree that the image portrayed by the establishment, at that time, was one of being against modern music and the inevitable appearance of pop festivals, that said the establishment’s early objections to the formation of festivals was only on the surface so to speak. ‘Festivals’ are vital to their agenda. You would be mistaken if you thought the heads of the ‘establishment’ really didn’t want festivals to take place. The initial objection, made by the establishment, to festivals taking place was simply to create a symbolic ‘spiritual demand’ or ‘spiritual request’ from the masses that they did actually take place.

‘We demand a festival’, so to speak, but what did the masses have to do to hold ‘official’ festivals? They had to ‘ask’ permission from the court, the crown, for permission didn’t they? Yes despite what you read or hear about maverick festival organisers they all end up asking The Queen for permission for a festival to take place. So every time permission is given by a court in this country for a festival to take place it’s symbolically because ‘The Queen’ approves of it. Without the permission of an agent for dark forces no symbolic festivals can take place you see. Do you understand that certain bloodlines, representing dark forces, HAVE to give their full consent for a festival, an ‘official ritual’, to take place? It is important that you do in my opinion if you really want to know what is going on. An agent for malevolent inter-dimensional entities has to be the official founder of certain rituals and Glastonbury Festival is basically an ‘extraction of energy ritual’ in my opinion and a very good example of one.

Specific locations will be arranged to hold festivals where dark forces want them to happen through using corrupt officials sitting on local councils. Every council, in the UK at least, has puppets sat on various committees to vote these things through to suit the agenda of dark forces.
 
The build up of festivals and the spread of ‘freedom’ all over the world over recent decades, including the fall of the Berlin wall, has allowed the entire world to listen to music that agents for dark forces want them to. We are told this is good thing and a sign of freedom and obviously I agree that it may appear that way but it is only on a five sense level, on a spiritual level the masses that now access the music of the free western world also access the same hypnotic trickery being played on them. Let me make it perfectly clear that I am not anti music nor am I against any pop/rock stars. I love certain music myself. There are songwriters out there that have literally altered my life. I am only pointing out that very few people can force the majority of people to listen to what they want us to listen to. This is no coincidence because agents for dark forces made sure that rock and pop in other countries was stagnated and it basically suppressed its growth for years.

As I have previously said the mainstream media can easily get the masses to either love or hate an artist, sometimes both, when it suits them to do so. They do this by increasing or decreasing the artists' ‘worship value’. That’s what I call it anyway, ‘worship value’. Agents acting for dark forces in high ranking positions in the media   can arrange for a concert venue to be full or for it to be empty. They can get the masses to blindly worship who they want, when they want. The opposite applies when the media want the masses to dump an idol that no longer serves a purpose or has had the guts to defy the hold that the media has over them. 
 
The same rules apply to pop festivals. Dark forces will groom festivals that ‘mean something’ to them for the cultivation of spiritual energies, in symbolic or ‘aptly named’ locations, for the future. The locations used for rituals will also have to be symbolically ‘worthy’. Agents will do this through, behind the scenes, financial support and favours in the courts etc. The hippy movement was infiltrated by agents in the 1960’s and they covertly created the foundations for the festivals you see before you today.  Festivals that ‘mean absolutely bugger all’ to malevolent inter-dimensional forces will receive no support and be left to rot and die a natural death or worse the authorities will harass the festival organisers and force them out of existence

I assure you that festivals would NOT be allowed to grow or even exist without the direct or indirect consent of the high ranking figures positioned inside five sense authorities such as those serving on councils or in the courts. The festivals wouldn’t grow or even exist if they didn’t fit in with the occult symbolism required by the multi-dimensional forces that turn an innocent concert into a covert ritual of some kind.

I need to explain how an innocent looking festival on a five sense level can also be used as an extractor of ‘spiritual energy’ on a spiritual level. It’s pretty simple really. When we feel ‘emotion’ as a human being we also create an ‘invisible energy’. The more emotional we feel the more powerful the energy becomes. If two people feel the same emotionally then the amount of invisible spiritual energy being created is doubled, so on and so forth, so you can imagine the amount of spiritual energy, so to speak, that ‘thousands’ of people can create, especially if they can be forced to feel ‘emotional’ about the same thing at the same time.

So in my opinion ‘emotions create energy’. It is as simple as that. Imagine if a malevolent force and a few of their agents on Earth knew about the energy that is created through human emotions and knew how to harness it and use it. What would they do? They would harness and use it wouldn’t they?

They would need to attract large amounts of people to one area and raise the collective emotional state of the crowd and somehow get the energy ‘directed’ towards them to collect it, a sort of feeding an ego situation, on a massive scale. The malevolent entities cannot put themselves on stage ‘in their true image’ because the crowd wouldn’t get emotional about their own enslaver, so they would have to recruit and use attractive ‘agents’ (middlemen/celebrities) to draw in a crowd and raise collective emotions for them. Yes?

Agents for dark forces use hyped and talented artists to do this for them but this action is not enough on its own because all the emotional respect (spiritual energy) created at the event would simply go to the artist and not the dark forces promoting the artists.

So these dark forces have very craftily displayed their own symbolism on stage and/or the actual festival locations are very symbolic in themselves. This enables them to attract the spiritual energy towards the symbolism itself and not just the artist on stage. The use of symbolism is very important because if the audience at a festival are made to feel emotional about the performer on stage then they also feel emotion, subconsciously, for the symbolism being displayed at the same time. I suppose the situation is on a par with a surge of electricity being sent through the stage, not only would the performers get a shock so would all the other items on stage that also conduct electricity. In other words ‘spiritual energy’ can feed the creators of the symbolism on show.  The real creators of the ‘symbolism’ on show are entities in other dimensions, hence ‘they’ receive the spiritual energy created at festivals that bear their symbolism.

Dark forces also use ambiguous symbolic lyrics hidden in the songs allegedly penned and created by celebrity bands. This is to get the crowd to collectively sing ambiguous words (Praise to the Gods), this also creates spiritual energy. (As mentioned in the 'Beside the seaside' article)

For example Glastonbury uses a Pyramid Stage, so when the crowd feel emotion for artists at Glastonbury they will also give spiritual energy to the symbolism (the Pyramid) being displayed, simply because ‘emotional respect’ for the artist will also create ‘spiritual energy’ for the symbolism and this energy empowers things in a totally different way than you may imagine.

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